Painting ID:: 56655
et in arcadia ego mk248 vid mitten av 1630 talet utforskade poussin rafaels verk, romersk arkitektur ocb latinska skrifter om moraliskt leverne. fran dessa bamtade ban det rena, klassiska idiom som ban sedan, bamtat fran poeten virgilius. poussin paminner oss om att vi inte kan undfly doden, inte ens i den perfekta varlden arkadien.
Nicolas Poussin French 1594-1665 Nicolas Poussin Galleries
The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper.
Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful. et in arcadia ego mk248 vid mitten av 1630 talet utforskade poussin rafaels verk, romersk arkitektur ocb latinska skrifter om moraliskt leverne. fran dessa bamtade ban det rena, klassiska idiom som ban sedan, bamtat fran poeten virgilius. poussin paminner oss om att vi inte kan undfly doden, inte ens i den perfekta varlden arkadien.
